Part 36

All those things that I could never say, growing
like fangs, slashing lips and cheeks till the mouth

is a wound that no word can slip out of. I count
secrets like train carriages, standing by the tracks,

somewhere between stations, a movement of
yellow windows: light, dark, light, dark. Sometimes

a faceless face. Sometimes a handless hand. The
world going by, not curious, not asking. Do we need

a witness for every moment? For every sigh? Is it
more worthy, a life lived in the sunlight? What name

do you have for things growing in the shade? Inside
a second-class compartment, lovers lie on opposite

berths, feigning sleep. Between them space, depth,
strangers, doubts. The train gathers speed, disappears

into a fading rumble. Then comes the nothing. Then
comes the quiet. Like the day after everyone left. All

the emotions gathered in corners. Like dust. Like
teeth. An empty house like a field after the train

goes away. Light. Dark. Light. Dark. I have touched
fear. It is icy cold, metallic, like a naked railway track.

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33 thoughts on “Part 36

      1. Yes, I know the feeling. The sound of the whistle on a long distance diesel train in Australia always makes me want to travel. It’s been so long since I was in India. Back then I travelled on steam trains. The romance of those old black engines belching white smoke as they rolled into the red brick Victorian station buildings of northern India has stayed with me all these years.

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  1. I have memories of Indian trains too, in ’98, between Calcutta (as we called it then) and Mayapur. But I think trains anywhere are very evocative of all sorts of emotions. The whistles of steam trains at night always sounded melancholy to me. And yes, one wonders about the faces and forms glimpsed briefly through passing windows. (Also, it’s probably my favourite form of travel.)

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  2. Love it Your poems are so philosophical. Love the questions like ‘Is it
    more worthy, a life lived in the sunlight?” Fantastic question Love these great lines like “I count secrets like train carriages, standing by the tracks, and ‘All the emotions gathered in corners. Like dust.

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  3. Hi there Rajani, a beautifully fresh and original piece. I like the fresh ambition in this piece, where there is so much to enjoy… I especially liked the notion of “a naked railway track’ – Perfect! I myself have been fortunate once to make a long train journey through India, which was a spectacular experience…

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  4. The quiet after the train has passed is an intriguing part of this poem as is the light dark – captures the rhythm of the train.

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  5. This poem really has impact – the train, the un-said words, the spaces between….and then those powerful closing lines. Fantastic writing, Rajani!

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  6. “Inside a second-class compartment, lovers lie on opposite berths, feigning sleep. ” That could get exciting. I’ve only ridden two trains other that city transportation and not with a ‘friend’. One a short ride it was from Lincoln, Nebraska to Omaha. The other was to Arkansas from Omaha, the whole way on a slatted wooden seat and open windows, going for basic training. I only had been married two weeks when I was drafted into the army. That was like going into another world.
    ..

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  7. I see the mundane, the ennui and the helplessness in the amazing imagery in this poem.
    I loved this about fear : “It is icy cold, metallic, like a naked railway track.“. Wow!

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  8. These lines spoke to me.
    “Do we need a witness for every moment? For every sigh? Is it
    more worthy, a life lived in the sunlight?”
    Then came the question, How can I be a witness for myself?
    It also made me think of all the people on social media posting and their need to share all those different views of their lives. Humans are so fascinating.

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  9. Trains have always been a portal of sorts in dream travel for me. In reality I have never traveled overnight on a train. Strictly a commuter train in and out of the city.

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  10. There’s always been a certain amount of romance associated with trains in my mind. Though here that’s certainly being questioned! The beginning bit sets up this almost claustrophobic feel, where instead of being this vehicle that takes you places, immersing you fully in an experience, the subject is trapped on a train going nowhere.

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