Part 23

I was gathering strangeness, like little stones. Tossing
them into a jar, waiting for the water to rise to the
top. A thirsty crow, negotiating with the universe. I

asked the differences to separate me, float me into the
far distance, as if my name, my being, my soul would
change, as if the past would no longer recognize me,

would stop calling my name. This is where the stones
were. On a beach in New Hampshire. Where the sea
was icy cold even as the sun blazed down on the sand.

In Boston, on a summer’s day. Still bright at quarter
to eight as if time had lost its way. Here the rhythms
were different. Light and life sparring for space. At the

bottom of Niagara Falls where all I saw and heard
was the white mist. As if there was a door to another
reality. Another way to compute impossibility. At a

covered bridge, painted red, somewhere in the
White mountains, over a hundred years old. As if it
held a precious secret. Below it, the river murmured,

saying something, saying nothing, the water so clear,
a world drifted in it, upside down, staring back at
me. I dropped a stone in it, green and flawlessly oval.

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43 thoughts on “Part 23

  1. Lovely to think you once were in North America. I love the images of the places you mention in the poem. I could see them. Love the dropping of the stone, “green and flawlessly oval” into the river.

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  2. I love the reference to the old story about the thirsty crow who figured out a way to drink a small bit of water out of its reach. Reading this right after the previous poem, I’m struck again with a feeling that isn’t quite hope, but this time feels a little more like determination to replace an old story with a new one. There’s still a feeling of uncertainty if the swap will actually work, but trying something beats trying nothing.

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    1. Thank you, Rommy. To your insightful comments on Parts 22 and 23, I think a new place provides an opportunity to engage with novelty and in doing so, perhaps reset life, but eventually the novelty wears off, the old shadow remains and things are the same. But while everything is still new and shiny, there is some temporary respite.

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  3. I have often pondered how we have to remain the same person for the whole of our lives. I love the grounding references to places.

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  4. “I was gathering strangeness, like little stones.” … What an excellent opening.

    “as if the past would no longer recognize me,
    would stop calling my name” … I love this.

    “Here the rhythms
    were different. Light and life sparring for space.” … Beautiful.

    “held a precious secret. Below it, the river murmured,
    saying something, saying nothing, the water so clear” … Again, so beautiful.

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  5. I am glad that you got to visit the New England part of the U.S. I lived in Manchester, New Hampshire, for three years. Then I moved back to Texas but 770 miles east of where I lived before N.H. El Paso, Texas, to New Hampshire, back to Houston, Texas.
    ..

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  6. As if there was a door to another
    reality. Another way to compute impossibility.

    Yes, that was how Hank felt at the bottom of the Niagara Falls. The yellow raincoats made us all nameless . Wonderful wordcraft Rajani!

    Hank

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  7. I believe deeply there is only one poem, a love poem between I and Thou in the ten thousand personas and inflections of that love. A self evolves from love and its loss, the yearning and burning for it, each a part of the story as you so richly demonstrate here. Difference and strangeness are inherent in a foreign country, though those are just surface exempla of the distance from I to Thou. For one is never more distant from the Beloved than when finding an abyss remains when snuggled up. Anyway, holding these pebbles are powerful mnemonics (like a pencil pulled from a pew in my poem) and sing loudly for the ear so attuned. Happy to hear that music coming from your past.

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    1. Thanks Brendan. Stories, when they are difficult, must be told through these pencils and pebbles… they carry the burden of the unsaid, the specifics of feeling, when all words can articulate are generalities.

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  8. The opening line is wonderful as life and places are full of strangeness. The pebbles are symbolic to me in my own journey of strangeness. I have visited Niagara Falls a few times and it does seem other worldly in so many ways.

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  9. These little glimpses were simply wonderful Rajani — I loved this! I had the very same reaction to, and fantastic interpretation of, the Niagara Falls mist, when many years ago, I road on the “Maid Of The Mist” boat, to confront the falls head on, from the river below — a portal to another reality…. Yes!

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  10. I” was gathering strangeness, like little stones. Tossing
    them into a jar, waiting for the water to rise to the
    top.” Goodness, I love that line and it was an intriguing introduction to the rest of this amazingly delighful story.

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