Part 17

I don’t remember how my name sounded
in your mouth, how your mouth tasted

inside mine, how you looked when you
stopped at the foot of the bed, how you

moved, how we moved, how we crashed,
how the force was felt for days, for miles.

The ripples have been brushed away and
water is once more sky below sky. As if time

is rearranged. As if the past is erased and
what remains is a future frown of recognition,

not by knowing, not by remembering, but
like a cold wind that passes by, skin contracting

from a primal impulse. As if the aftermath has
decoupled from the event, result separated

from reason. As if memory is a discounted
inconvenience. What is the order, the protocol

for forgetting? The smell of damp skin before
the length of a toe, the hesitation of a lowered

gaze before a laugh line, every single laugh
line? Or should we forget all at once including

the way purple sheets wrinkle around a
body, asleep inside a dream inside a dream?

41 thoughts on “Part 17

  1. ‘asleep inside a dream inside a dream’ – ahhh!

    Interesting reflections! So hard to know the answers to such questions; as you suggest, there may be no definitive answers. (And yet the mind wants closure, certainty.)

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      1. there is the thought that writing is the process of self discovery. If so, I must still have a lot to learn because I’m still rewriting a story I began three years ago. I often get to the end of a chapter and then, when I listen to the words I’ve written, realize that they still don’t sound, don’t feel, don’t tell the story that is in my head. Somehow, in the space of a few rewritten pages, I’ve changed enough to alter my perspective on the story, its characters, and life. So I rewrite the chapter again and try to pay attention to what I’m discovering about me.

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        1. Absolutely. Putting something down, finding words for it brings a strange clarity. And in the process, starts unravelling so many knots. Maybe sometimes, it doesn’t matter if you get to the end of the chapter or story, the real story is the self-discovery. Thanks so much for sharing that wisdom, TioStib.

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  2. Luv these couplets. The enjabment works to create so much more reading interest
    Happy you dropped by my blog today Rajani

    Much❤love

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  3. Such intimacy in the telling. You describe this aftermath so well. Kissing is so radical. I love the purple sheets and closing line.

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  4. This is so lovely a reverie…….”what is the protocol for forgetting?” I love how one word in a line leads into the next line, all of it unspooling to that wonderful closing: “asleep inside a dream inside a dream.” Just gorgeous.

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  5. Grief as art means so many canvasses of the same wound, in”fifty shades of hard” as you said in a comment above. The reiteration of memory is a “discounted inconvenience,” rolling the day’s tape of what loss looked like in today’s mirror. After a while, the pouring becomes river.

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    1. And that river must perhaps, overflow its banks and effect the cleansing. Perhaps, that is its purpose. No matter, wounds need air and light to stop festering, healing is another matter. So the poet must feel, interpret, translate and write on!!!

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  6. There are things to forget, but can we? As I get older and older things must be less important or mind bending as I forget more now. And more since the COVID. I always was bad with names, but worse now yet. My smell and taste are gone as well. Mrs. Jim sleeps more in the day now, I’m okay, maybe sleep less, four to six hours. But remembering is driving me batty. Like the purple sheet deeps into memory hiding place.
    ..

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  7. This is quite beautifully probing Rajani. A number of wonderful lines, this one especially caught me: “The ripples have been brushed away and water is once more sky below sky. As if time is rearranged.” Lovely… 🙂✌🏼❤️

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  8. “What is the order, the protocol

    for forgetting? The smell of damp skin before
    the length of a toe, the hesitation of a lowered

    gaze before a laugh line, every single laugh
    line?”

    Isn’t that just the problem? There is no written protocol.
    Intimate writing, where you can feel the sadness.

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